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电影《超脱》中《厄舍府的崩塌》的象征与意义
摘要
本论文以埃德加·爱伦·坡的短篇小说《厄舍府的崩塌》与托尼·凯耶2011年执导的电影《超脱》为研究对象，探讨二者的互文关系及文学象征的跨媒介转化。通过分析建筑意象、角色映射和主题重构，可以发现电影将小说中象征家族衰败的“厄舍府崩塌”视觉化再现为学校建筑的腐朽、师生情感的疏离等暗合哥特文学，“空间即精神镜像”的隐喻象征，体现了对现代教育系统结构性危机的批判。本文认为，《超脱》以碎片化叙事和视觉隐喻重构了《厄舍府的崩塌》内含的哥特传统，将“宿命论崩塌”转化为对教育异化、人际疏离的社会批评，为解读当代文明危机提供了文学经典的现代阐释路径。
关键词：《超脱》；《厄舍府的崩塌》；互文性；隐喻象征
Abstract
ThisthesistakesEdgarAllanPoe’sshortstoryTheFalloftheHouseofUsherandTonyKaye’s2011filmDetachmentasresearchobjectstoexploretheirintertextualrelationshipandthetransmedialtransformationofliterarysymbols.Throughanalyzingarchitecturalimagery,charactermapping,andthematicreconstruction,thisstudyfindsthatthefilmvisuallyreproducesthe“collapseoftheHouseofUsher”—asymboloffamilialdeclineinthenovel—asthedecayofschoolbuildings,thealienationofemotionsbetweenteachersandstudents,etc.,whichechoesthemetaphorof“spaceasaspiritualmirror”inGothicliterature.Thisembodiesacritiqueofthestructuralcrisisinthemoderneducationsystem.ThisthesisarguesthatDetachmentreconstructstheGothictraditioninherentinTheFalloftheHouseofUsherthroughfragmentednarrativeandvisualmetaphors,transformingthe“fatalisticcollapse”intoasocialcritiqueofeducationalalienationandhumanestrangement.Itprovidesamoderninterpretivepathofliteraryclassicsforunderstandingcontemporarycivilizationalcrises.根据上方中文摘要的细微改动做调整即可、
根据上方中文摘要的细微改动做调整即可、
Keywords:Detachment;TheFalloftheHouseofUsher;intertextuality;metaphoricalsymbolism
Content
TOC\o1-3\h\u1986026169摘要 i
803497062Abstract ii
997948698Content 1
8917910941.Introduction 1
10445444451.1.BackgroundofDetachmentandTheFalloftheHouseofUsher 1
21271565371.2.LiteratureReview 2
19596457501.3.ResearchQuestionsMethodology 4
19569098582.TheAdaptationofTheFalloftheHouseofUsher 5
10719296012.1.TheAppropriatenessofAdaptationof